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Mirella Sessa wiki

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wiki Mirella Sessa Images Photo Mirella Sessa wiki Images wiki

Mirella Sessa Images Mirella Sessa Photos

Forbidden Colors Solo Piano Forbidden Colors Solo Piano
MirellaI believe you can fly Mirella I believe you can fly
Mirella Mirella
 Thinkin of you    Thinkin of you
We learn wisdom from failure much more than success We learn wisdom from failure much more than success
Every time I looked at the picture I thought how I should have kissed her so finally I hid it in the attic and I wonder if its still there with us both so young and her waiting to be kissed Every time I looked at the picture I thought how I should have kissed her so finally I hid it in the attic and I wonder if it s still there with us both so young and her waiting to be kissed
She learned to love him before he thought it was even possible so he didnt have a chance to hide  mess it upand while it was a little scary at times mainly he could not even imagine the world without her there She learned to love him before he thought it was even possible so he didn t have a chance to hide mess it up and while it was a little scary at times mainly he could not even imagine the world without her there
Tenderness and kindness are not signs of weakness and despair but manifestations of strength and resolution Tenderness and kindness are not signs of weakness and despair but manifestations of strength and resolution
One kind word can warm 3 winter months One kind word can warm 3 winter months
from dusk till dawn from dusk till dawn
For a long time she flew only when she thought no one else was watching For a long time she flew only when she thought no one else was watching
Wish for your deepest desires she said and when I asked if theyd come true she said they always do so you might as well get them out in the open while youre still young enough to correct any serious mistakes Wish for your deepest desires she said and when I asked if they d come true she said they always do so you might as well get them out in the open while you re still young enough to correct any serious mistakes
Bergamot orangeDarjeeling Bergamot orange Darjeeling
mr Citron mr Citron
She kept a box of letters She kept a box of letters
The secret is not in your hand or your eye or your voice my aunt told me once The secret is in your heart Of course she said knowing that doesnt make it any easier The secret is not in your hand or your eye or your voice my aunt told me once The secret is in your heart Of course she said knowing that doesn t make it any easier
Ill be watching you I ll be watching you

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Mirella Freni (born 27 February 1935 as Mirella Fregni) is an Italian opera soprano much admired for the youthful quality of her voice, her phrasing and thoughtful character interpretations and acting skills. Her repertoire encompasses some forty roles, Verdi and Puccini in particular but also Mozart and Tchaikovsky. Freni was married for many years to the Bulgarian bass Nicolai Ghiaurov, with whom she performed and recorded frequently.

Biography

Freni was born into a working class family in Modena (both her mother and tenor Luciano Pavarotti's mother worked in the same cigarette factory in that city); her aunt was the soprano Valentina Bartolomasi. She was a musically gifted child and sang "Un bel dì vedremo" in a radio competition at age ten. The tenor Beniamino Gigli warned her, however, that she risked ruining her voice and advised her to give up singing until she was older. She resumed singing at age 17. Mirella made her operatic debut in Modena at 1955, at age 19, as Micaëla in Bizet's ''Carmen''. She was offered many roles after this, but she decided to put her career aside and marry her singing teacher, Leone Magiera. She resumed her career in 1958 by winning a singing competition and singing Mimì in Puccini's ''La bohème'' at the Teatro Regio in Torino. She then sang with The Netherlands Opera during the 1959-60 season. Her international breakthrough came when she sang Adina in Franco Zeffirelli's staging of Donizetti's ''L'elisir d'amore'' at Glyndebourne, where she also sang the Mozart comic roles of Susanna and Zerlina during the 1960-62 seasons. In 1961, Freni made her Royal Opera House debut as Nannetta in Verdi's ''Falstaff''. In 1963, she made her debut at La Scala, in a production staged by Zeffirelli and conducted by Herbert von Karajan (Freni went on to become one of Karajan's favourite singers, and she collaborated with him in numerous operas and concerts). In 1965, Freni made her Metropolitan Opera debut as Mimì, and later appeared there as Liù in Puccini's ''Turandot,'' as well as Marguerite in ''Faust'' and Juliette in ''Roméo et Juliette,'' among many other roles, for a total of 139 performances. The following year she sang Mimì again for her debut with the Philadelphia Lyric Opera Company with Flaviano Labò as Rodolfo. From the early 1970s into the 1980s, Freni began singing heavier Verdi roles, notably Elisabetta in ''Don Carlo'' (in John Dexter's production), Desdemona in ''Otello'' (with Jon Vickers), and Amelia in ''Simon Boccanegra,'' Elvira in ''Ernani'' (staged by Luca Ronconi), Leonora in ''La forza del destino,'' and the title role of ''Aïda.'' She also added the Puccini heroines of ''Manon Lescaut'' and ''Tosca'' to her repertory, and recorded ''Madama Butterfly'' as well as all three roles of ''Il trittico.'' She also starred in a 1975 film of ''Madama Butterfly'' opposite Plácido Domingo, with von Karajan conducting and Jean-Pierre Ponnelle directing. In 1981, she married Nicolai Ghiaurov, one of the leading operatic basses of the post-war period. Together they helped establish the Centro Universale del Bel Canto in Vignola, where they started giving master classes in 2002. Following Ghiaurov's death in 2004, Freni continued their work in preserving the Bel Canto tradition, and currently teaches young singers from around the world. Freni published a memoir, ''Mio Caro Teatro'' in 1990. She was also awarded the order Cavaliere della Gran Croce della Repubblica Italiana that year and the French Légion d'honneur in March 1993. The University of Pisa awarded her an honorary degree in 2002 for "her great contribution to European culture." Freni continued to add to her repertory well into the 1990s with Italian verismo, taking on the title roles of Cilea's ''Adriana Lecouvreur'' in Milan, Paris, Barcelona and New York and Giordano's ''Fedora'' in London, Milan, New York, Torino, Barcelona and Zürich. In 1998, she performed Giordano's ''Madame Sans-Gêne'' in Catania. During this time she also ventured into the Russian operas of Tchaikovsky, appearing as Tatiana in ''Eugene Onegin,'' Lisa in ''The Queen of Spades,'' and Ioanna in ''Orleanskaya Deva.'' In 2005, the Metropolitan Opera celebrated the 40th anniversary of her Met debut and her 50th anniversary on the stage with a special gala concert conducted by James Levine. Freni ended her professional career on stage with ''Orleanskaya Deva'' at the Washington National Opera on 11 April 2005, performing the teenager Ioanna (''Joan of Arc'') at 70 years of age.

References

External links


fonte: Wikipedia

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